The musings of a madman...

A non-secret is that Jay-Z has money and a lot of it.  It is rumored that his net worth is more than that of a certain Willard Mittens Romney.  Incredible, as Romney got his on the back of a wealthy daddy helping to provide the best education money could provide and Shawn Carter is doing so without even a high school diploma to speak of.  Another non-secret or meme within the rap world is that those with money – even a little bit of it – walk around with it under their arms to use a metaphor.  “If you have it, show it” they say.  In exacting this, a theme that frequently gets pulled is “I ain’t even GOT to rap,” as if we didn’t already know that it was rap that got them there in the first place. Anyway, never mind that…  Today, we’re talking about Jay-Z and his new album.  After the past 18 years of his life in rap, it is established that he, in fact, DOESN’T have to rap – or probably even ever work again – and his great-grandchildren will die wealthy too.  In spite of that fa

     Okay, so we have talked about the past, we have brought things up into the present.  The very natural next question is “well what does the future hold?” As much as I would love to say that I have the answer to that question, the fact remains simply that I cannot have such information.      This coming year, the NBA Commissioner of the hip hop era is retiring and one of his understudies will take his position.  It will remain to be seen whether that means that he will continue the non hip hop friendly approach that Stern attempted within the past ten or so years or if he will simply let things fall to the way of profitability of the time just before those years.  What we DO know is that kids are still playing ball, even if not outdoors as much as they did when those around my own age did.  What is known is that rappers are still dropping basketball metaphors and are still seen courtside at games.  I cannot imagine that last fact changing as long as the prohibitive-to-reg

9:Renaissance(s)      The concept that a sport or a genre of music, especially one often marginalized as “not music” like hip hop has often been through its years seems foreign to some.  The fact, however, is still that each has had an almost consistently generational window of change that can be expected to take place.  In basketball, the change can be usually marked to include a “generation” lasting about the length of the careers of the most prominent players of that time.  Often times, you hear them discussed/named in terms of the most prominent players/combinations of those particular times.  Examples include the “Celtics dynasty,” the “NBA vs ABA,” of course the vaunted “Magic vs Bird” era, the “Jordan era,” and then the shared “Shaq/Kobe era” and “Spurs dynasty” years.  Based upon the best players playing 11-15 years, those five great periods have bridged the time from professional basketball’s days of infancy in the late-40s and 50s until the present.      Similarly, an

8:Detractors Abound Despite the very much displayed facts supporting that hip hop and basketball are blood brothers, there still happens to be groups who’d sooner have it otherwise.  Following the infamous “brawl at the palace,” NBA Commissioner David Stern reverted back to his pre-Air-Jordan-days and implemented changes that specifically blackballed things that had always been openly embraced by hip hop at large; specifically the players were forbidden from “street” clothes – no jeans/athletic wear, specifically only “dressy” clothes – and big visible necklace/medallion combinations as they entered and exited the arenas in which they played.  It seemed to matter not that they were to be infrequently seen by anyone other than cameras already tasked and properly compensated with being there to cover them, instead of fans or civilian paparazzi – both of whom would lack credentials to gain that kind of access.  This approach played best into the most lucrative of buyers an

7: The Spirit of Competition      It is no secret that basketball, like any sport, is competitive in nature.  The fact that score is kept and a winner is declared at the end of the competition defines that.  What may or may not be up for debate is just how similarly appointed as a competitive medium that hip hop is. On the surface, Billboard releases their Top 200 and Rap/R&B-specific charts once weekly to outline who sold the most copies of their songs/albums each week.  In a 2012 economic climate, every album or song sale is a hard-fought-for sale, and it stands to reason that artists and executives are cognizant of this and work hard at either bending tastes of their audience to the enjoyment of their work or bending their work to the will and tastes of their desired listening public.      With these things in mind, the heat of the battle has the tendencies to cause the participants to become a bit testy while competing in their craft.  Night in and night out, obsce

6: “Who Can I Trust?”      It has been said that when you reach a certain income/exposure level, you can never date a “regular” person – at least not one who didn’t know you before you had anything. The same is to be said for the people you will have in your circle.      What remains in application is the exhibited fact that the only person/people you can trust to understand your situation and problems are the ones who have been through similar circumstances themselves.  When, as we have discussed, NBA players and rappers more often than not come up through the same ills we understand the connection that they come to have.  As nothing is ever perfect, we’ve seen even these situations go sour and end ugly – usually just with the loss of a friendship and hopefully not the loss of a friend.  To that ends, the “bosses” of both camps spend major time and resources on educating and guiding them to the building of healthy interpersonal relationships, and even THEN it falls on deaf

5: “Me Too!” and “Let’s Get Money Together”      No, this is not related to any basketball players’ attempts to rap or any rappers’ attempts to show how much “like Mike” he was in the gym.  It is more related to each side recognizing the other’s validity in the arena of entertainment.  There is a possibility that this could have been taken along with the “Acknowledgment” we previously discussed, but the level that this is taken to has a life of its own, beyond simple acknowledgment.  It almost becomes necessary to point to the fact that each experienced a bit of a burst in popularity right around the mid-80s, directly in line with the spikes in the popularities of – all at once – national media outlets (broadcast and cable TV, radio, etc.), the renewal of the Lakers/Celtics rivalry and perhaps most importantly, the previously mentioned marketing juggernaut named Michael Jeffrey Jordan.      A term born of this mutual respect and endearment from the hip hop community to that

            On my next birthday, I will be 34, so it stands to reason that my life has left me with plenty of access to hip hop music in my time.  One thing that artists USED to try and actually pull off well was concept albums.  No, I do not mean an album upon which the artist finds a reasonably central theme well and sticks close to that across the entirety of the album.  With that in mind,  Ready to Die, Only Built For Cuban Lynx  and the like are off of the table.  They were classically presented albums that stuck to their formulas well, but “Concept Albums” they were not.             On the other hand, Prince Paul’s TWO concept albums  A Prince Among Thieves  and  Politics of the Business , Kool Keith’s entire career and minor outlying and TERRIBLY slept-on Sporty Thievz  Street Cinema  should all personify what it is I am getting after.  It’s not to say that artists from the little-known on up to megastars haven’t TRIED, just that many fail to pull it off.  Let me lay it

4: Fashion Sensibilities      Two things can be guaranteed to be taken into consideration when it comes to regional applications and those are fashion and local team fanship.  When it boils down to it, through the presented history hip hop in popular culture, it was no huge deal – one could argue that it was expected – to see their favorite rappers donning the jersey of their favorite player or hat of their favorite team, or even both! One of the “standard” hip hop uniforms from the earliest days included the simple jeans and t-shirt with a pair of sneakers.  Sneakers would become one of the EARLIEST connected fashion items tying hip hop and basketball together.  As a child born in the late 70s and raised in the 80s, I distinctly recall seeing and desiring to own the player-specific Converse sneakers worn by Dr. J and Magic Johnson, badgering my parents for a new pair of the Chuck Taylors that seemingly every other player wore and To this day, I still go out of my way to o

3: “Just Like Us”      So now we’ve seen an understandable correlation born of the similar creations of basketball and hip hop.  We’ve discussed why the participants should want to involve themselves with one another, if only from more often than not coming up from similar backgrounds themselves.  Now it is time we discuss what good reason they may have to continue and cultivate the personal-cum-business relationship(s).      As with any connected entities, their mutual involvement will eventually espouse emulation.  One could argue that Biggie saw this coming (or had already witnessed) when, on his first album, he mentioned “either you slinging crack rock or you got a wicked jumpshot” with the at-the-time unspoken third option naturally being music.  It was ironic, because he was passively speaking out that third option by participating in it for his own out of those very same neighborhoods.  Either way, generations coming up behind the ones who made it out of the neigh

2: Acknowledgement and Acceptance      With a mind fully focused on the facts that basketball remains a sport that requires VERY little to get into as far as resources, and hip hop a musical medium that (at the time) required little in the way of classical musical training, it seems only natural that kids from lower-rent areas would be into either, or even both of the two simultaneously.  The connection between participants of the two is more than natural.      What could not be assumed was that either would be accepted as continuingly viable forms of entertainment or even recreational activities.  For what they were and the relative obscurity from whence they came, they would surely be a hard sell to say the least. With that in mind, it is (or was) only fair that both would initially cultivate and grow in areas with less-than-affluent populations and grow from there up, sometimes (or often) moving those less-than-affluent on to greener pastures for their troubles.  One c